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Sax player/flutist Robbie Lee and guitarist Mary Halvorson play "mutant chamber jazz" of baroque flute, the world's smallest saxophone, harp guitar and vintage banjo, in-studio. (2018) (episode)
This week, old American sounds in new songs by Nat Myers and Dom Flemons, a twist on classic soul from The Soul Motivators, and musical heartache from The National. Plus, Caroline Rose. (article)
Pianist, collaborator, and mentor Eunbi Kim presents sonic memoirs in collaborative commissioned works by Pauchi Sasaki, Angélica Negrón, and Sophia Jani, in-studio. (episode)
Kenyan composer/sound artist Nyokabi Kariuki draws on her voice, field recordings, and drummer Matt Evans, to play work from "peace places: kenyan memories" and "Feeling Body" in-studio. (episode)
This week, dark pop from Hozier, synth pop from M83, and desert blues from Tinariwen. Plus returns for cellist Dom La Nena and the hyperpop duo called 100 gecs. (article)
Composer, pianist, and coder Dan Tepfer uses the animating idea in music of J.S. Bach's Two-Part Inventions for his own playful improvising and riffing reinventions. He plays in-studio. (episode)
As Lisel, vocalist and composer Eliza Bagg creates hybrid music that blends her classical vocal training with electronic production techniques found in hyperpop. She performs in-studio. (episode)
This week, cinematic rock from Manchester Orchestra, posthumous Afropop from Ali Farka Touré, and climate-themed works by Jocelyn Pook and Kishi Bashi. (article)
Listen to composer David Cieri’s new score to the 1928 film "The Passion of Joan of Arc", including Sardinian vocal quartet Tenores de Aterúe, recorded at Brookfield Place . (episode)
The blues singer and guitarist Ruthie Foster has worked with the Allman Brothers, Blind Boys of Alabama, and pedal steel master Robert Randolph. She plays her feel-good blues in-studio. (episode)