Robert Barry

Robert Barry is a freelance writer and editor, based in London, UK. His byline has appeared in publications including The Wire, Frieze, Art Review, Fact, The Atlantic, Wired, Thump, Motherboard, Sounds Like Now, BBC Music, The Guardian, Mute, Mousse, New Humanist, Seismograf, Plan B, Exeunt, The Line of Best Fit, White Noise, Vertigo, Electric Sheep, Film-Philosophy, Eat Me and Apollo.

He is currently technology and digital culture editor at the online literary journal Review 31, visual arts editor at The Quietus, and a member of the faculty at London’s Institute of Contemporary Music Performance. His book, The Music of the Future, a history of speculative music, was published in March 2017 by Repeater Books.